Whilst populous artists doctor to stick to painting what they going on see around them, by using a conglomeration of sources and references, I myself exalt to gaunt towards the path of creating a painting in the same way that I would commit a poem.
Painting is not neatly about recreating disposition, cameras can do this, video and documentaries submission us the bravura of disposition on a daily basis, which is one of my greatest inspirations. Painting is about creating poetry on a canvas, creating an statue that is through beautiful, regard - seductive and because awe - inspiring since nature ' s great spectacles. Who is not inspired by the Great Migrations, Evolution, and indeed our own intricately complex and unknown evolution into the greatest of the Great Apes.
My aim in art is to constantly produce paintings that reflect on these thoughts, these wonders of nature, as well as our own impact on the natural world. From influences as various as as Richard Dawkins, Charles Darwin and numerous other scientists, novelists, naturalists ( let ' s not forget David Attenborough ), I wish to produce art that is more than just visual aesthetics.
Yet, how can one be the David Attenborough of Art? A complex idea, on paper, can be stretched out, elaborated and edited, however, a canvas is generally a more straightforward process. A complex idea on canvas can appear cumbersome, childish, unless one has Dalian talent. All ideas boil down to their fundamental beginnings, the origin of the origin that first sparked that flicker of inspiration.
And so this should be your starting point: the idea in its rawest, plainest form. Take a sample of Altamira, or Lascaux: for all the complexities that these images hold, their compositions are relatively simple. It is all about stripping down a painting to what you need, and extracting the beauty and emotion within it. A painting cannot convey as many ideas as a poem, or a lecture, but it must create an instant and subconscious impact on the viewer. The viewer must then aspire to ask more, to know more. It is up to the painting to provide the question, and the artist to give the answers.
I cannot expect to produce a painting that will convey all of the innovative and often unusual ideas of Desmond Morris, but to be able to scrape the surface of science, nature, psychology and abstraction is something that must not be taken for granted.
Art should not be political, or religious, or even social, it is a true expression of the individual beliefs and personality of the artist. The art is for the artist, even when hanging on the walls of a museum or on someone else ' s mantelpiece, all still belong forever to the artist.
